Other Research
Henry Irving's "Waterloo": Theatrical Engagements with Arthur Conan Doyle, George Bernard Shaw, Ellen Terry, Edward Gordon Craig, Late‑Victorian Culture, Assorted Ghosts, Old Men, War, and History (Berkeley: University of California Press, 1993).
(Winner of the 1984 Joe A. Calloway Prize for Best Book on Theatre)
Available on Amazon.
Related articles
“Performing the Holy Ghost: Revelations of Edward Irving in 1830-31,” Journal of Religion and Theatre, 1:1 (2002), 29-56.
"'Shadow of a Mesmeriser': The Female Body on the 'Dark' Stage," Theatre Journal, 49:2 (May 1997), 189-207.
"When Theatre Becomes History: Final Curtains on the Victorian Stage," Victorian Studies, 6:1 (Fall 1992), 53‑61.
"The Portrayal of Darkness and Sixth Sense on the Nineteenth‑Century English Stage," Theatre Survey, 34:2 (May 1993), 33‑46.
"An 'Exquisite' Memory: Bernard Shaw and Henry Irving at Waterloo" in Before His Eyes: Essays in Honor of Stanley Kauffmann, ed. Bert Cardullo (Washington, DC: University Press of America, 1986), 35-49.
Writing Wrongs: The Work of Wallace Shawn (Philadelphia: Temple University Press, 1993).
Available on Amazon(link is external).
Articles
"Beyond 'A Certain Chain of Reasoning': Wallace Shawn's Aunt Dan and Lemon," Journal of American Drama and Theatre, 6: 1 (Spring 1994), 61-78.
"Dionysus in Santa Barbara: Wallace Shawn's Euripidean Fever," Theater, 22:1 (Winter 1992), 83-87.
Other
"Everyman in His Drama: Erin Cressida Wilson's The Trail of Her Inner Thigh," South Atlantic Quarterly, 99:2-3 (2000), 517-20.
"Kriticno razdoblje razotkrivanja u hrvatskom kazalištu," Kazalište, 3-4 (2000), 120-21.
"Tama u "mjestu svjetla I krivnje": kriticki pogled na Kaliforniju," Kazalište, 3-4 (2000), 134- 43.
"History and Theatre: Reweaving the Afterpiece" in History and . . .: Histories within the Human Sciences, edited by Ralph Cohen and Michael S. Roth (Charlottesville, Va.: University Press of Virginia, 1995).
"Dramaturgical Text and the Historical Record in the New Theatre: The Case of Rumstick Road," Journal of Dramatic Theory and Criticism, 7: 2 (Fall 1992) 71‑87.
"Good and 'Bad‑d‑d‑d' Storytelling: John O'Neal's Junebug Jabbo Jones," Theater, 20:1 (Winter 1988), 73-83.
"Robert Auletta's Ajax: The American National Theater Production," Theater, Fall/Winter 1986 (Vol. 17, No. 1), 9-15.
"The Sake of the Argument: A New American National Theater," Theater, Summer/Fall 1985 (Vol. 16, No. 3), 7-11.
"Blau‑Blooded Thought: Recent Writings of Herbert Blau," Theater, Winter 1985 (Vol. 16, No. 1), 80-85.
"Shameless Art: The Antitheatrical Prejudice by Jonas Barish": Theater, Spring 1982 (Vol. 13, No. 2), 70-76.
"The First Films of the Lumière Brothers and Several Dreams of Origin": The Bennington Review, December 1981 (No. 12), 2-13.
"Why Not? A Look at the State of the Art": Theater, Summer/Fall 1981 (Vol. 12, No. 3), 40-45.