Publications related to O'Neill research
Publications relating to research on Agnes Boulton and Eugene O’Neill
Books
The Iceman Cometh: Critical Edition by Eugene O'Neill, edited by William Davies king (New Haven: Yale University Press, 2020)
Long Day's Journey Into Night: Multimedia Edition by Eugene O'Neill, edited by William Davies King (New Haven: Yale University Press, 2016)
Long Day’s Journey Into Night: Critical Edition by Eugene O’Neill, edited by William Davies King (New Haven: Yale University Press, 2014)
Part of a Long Story: Eugene O’Neill as a Young Man in Love by Agnes Boulton, edited by William Davies King (Jefferson, NC: McFarland, 2011)
Another Part of a Long Story: Literary Traces of Agnes Boulton and Eugene O’Neill (Ann Arbor: University of Michigan Press, 2010)
Selected Stories of Agnes Boulton, edited by William Davies King http://www.eoneill.com/library/abstories/contents.htm(link is external)
"A Wind Is Rising": Correspondence of Eugene O'Neill and Agnes Boulton (Madison, NJ: Fairleigh Dickinson University Press, 2000)
Editor of Eugene O’Neill Review, 2011-2016
Selected Articles
“Eugene O’Neill in Maxim Gorki’s The Lower Depths,” Eugene O’Neill Review, 44:1 (2023), 31-60.
Review of Beyond the Horizon, Eugene O’Neill Review, 43:2 (2022), 216-223.
Review of Strange Interlude, Eugene O’Neill Review, 41:1 (2020), 115-118.
“Suitable Feminine Companionship: On Mamie Burns and Fat Violet in Long Day’s Journey Into Night,” Eugene O’Neill Review, 40:2 (2019), 185-197
Review of Brenda Murphy’s Becoming Carlotta, Eugene O’Neill Review, 40:2 (2019), 247-252.
Review of Mourning Becomes Electra, Eugene O’Neill Review, 40:1 (2019), 121-123.
Review of Long Day’s Journey into Night, Eugene O’Neill Review, 39:2 (2019), 102-106.
Review of A Touch of the Poet and Playboy of the Western World, Eugene O’Neill Review, 39:1 (2018), 190-195.
“Eugene O’Neill’s Irish ‘Con’ Man: Charles Lever,” Eugene O’Neill Review, 39:1 (2018), 17-32.
“ O’Neill: Biography, Autobiography, and Standing in for Eugene (G.) O’Neill,” in The Theatre of Eugene O’Neill, edited by Kurt Eisen (London: Methuen, 2018), 147-162.
“Eugene O’Neill and Modernism,” Routledge Encyclopedia of Modernism, https://www.rem.routledge.com/articles/oneill-eugene-1888-1953(link is external)“
“Et in Arcadia E.G.O.,” Eugene O’Neill Review, 37:2 (2016), 180-184.
“Quotidian Matters: Reading the Diary of Eugene O’Neill,” Eugene O’Neill Review, 37:1 (2016), 71-88.
"Carlotta Monterey O’Neill’s “Memorial for Gene”: Releasing Long Day’s Journey Into Night," Eugene O'Neill Review, 35:1 (2014)
“The Long Journey of Exorcism: A Note on Provenance,” Eugene O’Neill Review, 34:1 (2013)
“O’Neill and Autobiography,” Eugene O’Neill: Critical Insights (EBSCO, 2012)
“The Port Saïd Incident: Eugene O’Neill and Carlotta Monterey at Sea,” Eugene O’Neill Review, 33:2 (2012), 233-272.
“Agnes Boulton,” “Oona O’Neill, “Shane O’Neill,” and “O’Neill’s Biographers,” entries in Critical Companion to Eugene O’Neill, edited by Robert Dowling (Facts on File, 2009)
“Hammerman’s O’Neill,” ZYZZYVA, 24:3 (Winter 2008), 135-55.
“What Did Eugene O’Neill Look Like Naked?: Trouble in the Flesh,” eOneill.com Essays, 1 (2006) http://eoneill.com/library/laconics/1/1b.htm(link is external)
“Oresteian Structures in The Iceman Cometh,” Eugene O'Neill Review, 27 (2005), 126-34.
“The O’Neill of Pulp Fiction,” Eugene O'Neill Review, 26 (2004), 105-117.
"'Our Home! Our Home!': Eugene O'Neill and Agnes Boulton at Spithead," Eugene O'Neill Review, 25:1-2 (2001), 60-69.
"'It Brought the World to This Coast:' The World Premiere of Eugene O'Neill's Lazarus Laughed at the Pasadena Community Playhouse," Theatre Survey, 29:1 (May 1988), 1‑36.