Maximalist Interior Body Shots

Books Ruined

MXM: Maximalist Interiors, ed. by Encarna Castillo (New York: Harper Collins, 2003)

Burne-Jones: All-Colour Paperback (New York: Rizzoli, 1979)

The World of Goya: 1746-1828 by Richard Schickel and the Editors of Time-Life Books (New York: Time-Life Books, 1968)

Brassai: The Secret Paris of the 30s, trans. by Richard Miller (New York: Pantheon Books, 1976)

Vermeer: The Complete Paintings (Koln: Taschen, 2000)

Simply Tai Chi: Vitality, Relaxation, Balance by Graham Bryant and Lorraine James (Dingley, Victoria: Hinkler Books, 2003)

Fashion Photography by Patrick Demarchelier, American Photographer Master Series, ed. Henry Horenstein (Boston: Little, Brown & Co., 1989)

The World of Watteau: 1684-1721 by Pierre Schneider and the Editors of Time-Life Books (New York: Time-Life Books, 1967)

Degas by Sebastian Melmoth (Seacaucus, NJ: Chartwell Books, 1993)

The S Factor: Strip Workouts for Every Woman by Sheila Kelley, photographs by Shawn Frederick (New York: Workman Publishing, 2003)

The Naughty Nineties by Angus Wilson (London: Eyer Methuen, 1976)

Victorian Inventions by Leonard de Vries, compiled in collaboration with Ilonka van Amstel (London: John Murray, 1971)

True Crime Detective Magazines by Eric Godtland and Dian Hanson (Koln: Taschen, n.d.)

Gauguin by Eleanor Marrack (Seacaucus, NJ: Chartwell Books, 1993)

Faeries, described and illustrated by Brian Frond and Alan Lee, ed. and designed by David Larkin (New York: Harry N. Abrams, 1978)

Leonardo Da Vinci by Jack Wasserman (New York: Harry N. Abrams, 1984)

Dreams by Luis Royo (New York: Nantier, Beall, Minoustchine, 1999)

The Tibetan Art of Healing, paintings by Romio Shrestha, text by Ian A. Baker, foreword by His Holiness the Dalai Lama, preface by Deepak Chopra (San Francisco: Chronicle Books, 1997)

The Lost Art of Being a Man: How to Mow the Lawn by Sam Martin (New York: Dutton, 2003)

Fellini's Faces, ed. by Christian Strich, foreword by R.D. Laing, introduction by Federico Fellini (New York: Holt, Rinehart and Winston, 1981)

The Folk Art of Latin America: Visiones del Pueblo by Marion Pettinger, Jr. (New York: Dutton Studio Books in association with the Museum of American Folk Art, 1992)

Sculpture of Ancient West Mexico: Nayarit, Jalisco, Colima by Michael Kan, Clement Meighan, and H.B. Nicholson (Albuquerque: University of New Mexico Press, 1989)

Die Goldenen Jahre der Photoalben: Fundgrabe und Spiegel von Gestern by Ellen Maas (Koln: DuMont Buchverlag, 1977)

Expressionismus: Eine Deutsche Kunstrevolution by Dietmar Elger, herausgegeben von Ingo F. Walther (Koln: Benedikt Taschen Verlag, 1988)

Clown Paintings, ed. and with introduction by Diane Keaton, afterword by Robert Berman (New York: Powerhouse Books, 2002)

Bring on the Clowns by Beryl Hugill (Seacaucus, NJ: Chartwell Books, 1980)

Forbidden Pompeii (FEP)

Body Shots: Early Cinema's Incarnations by Jonathan Auerbach (Berkeley: University of California Press, 2007)

"MAXIMALISM involves the individual use of order to create chaos, and vice-versa, in the tradition of the high/low art experience of life-force through self and surrounding, both inner and outer, be it in gallery or gutter, necessary for survival and its glory expressed through images that haunt the imagination through colour/form and content, to growth both personal and societal, in the acceptance and celebration of the on-going change that is the only constancy of life/death, whose logic is witty, sometimes." (7)
"Maximise to the max." (9)
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